Let's face it. There are loads of how-to-write-a-novel books out there. Some are full of lots of technical gumph and you feel disheartened just reading them. Others are light and fluffy and you wonder how anyone could write a postcard using their advice. This book falls somewhere in between, having the positive aspects of both alternatives.
Louise Doughty is a published author who wrote a regular newspaper column for the London Daily Telegraph that took her readers...

The line of publications on the subject of Gallipoli grows ever longer, but occasionally something fresh turns up. This book, where all the action occurs in a five-day period, reads more like a fast-paced fictional thriller than an historical account. The author has achieved this in three ways: he delivers a contiguous, multi-layered narrative by sewing together every available detail (Turkish as well as Allied); the use of diaries, reports and letters allow him to ‘get...
It was an easy task to devour this book quickly. The prose is light, but the effects are crafted with a deft hand.
Here is the ultimate guide for how (and how not) to approach agents and prospective publishers about your work. It may even save you from wasted effort and unnecessary rejections. You only get one shot with each one, after all.
According to the author, Byron ‘is our shadow. Our own dark secrets.’ Jameson certainly has plenty of her own dark secrets to share and she sorts through them as her pilgrimage progresses. The events of Byron’s short and dramatic life serve two purposes in this narrative: they provide the travel itinerary and points of physical interest, but they also serve to introduce topical themes by chapter that the author parallels with her own life experience. Jameson explores...
It would be an incomplete picture to review George Friedman’s The Next Decade without referring to its predecessor The Next 100 Years. For those who assume that the forecasts for the next decade are a mere subset or pilfering from the more extended work, they would be mistaken. Friedman puts it this way: ‘A century is about events. A decade is about people.’
If I had to describe this book in a metaphorical way, I’d say it was a pleasant amble through antique and curio shops with pauses in between for trying out vigorous yoga positions.