If you like atmospheric murder mysteries mixed in with a little romance, history and village life, this is the book for you. The historical events are dated to prime ‘Agatha Christie time’, the mid thirties, but the location is updated for Australian sensibilities with the action taking place in a remote fishing community in Tasmania.
Pennicott is an experienced crime writer and it shows with the interwoven structure of the plot and the careful staging of information...
Read on
Beware would-be novelists. This debut writer sets very high standards for a first book. Assured is the word; fluid is the pace, and light is the touch. Which is just as well, as the subject matter is tough and often dark.
Structurally speaking, The Perfume Lover is an interesting non-fiction concept. Denyse Beaulieu, a well-known fragrance blogger and journalist living in Paris, is the eponymous lover. She is a lover, nay a connoisseur, of perfume, but throughout the book we are treated to juicy snippets about her more private sensual loves, which she writes about with typical Parisian insouciance.
This collection of stories is about as mixed as you can get when they are all by the same author. They vary in length from four lines to seventeen pages and the variation in subject matter is even greater. Some of the stories come across as highly experimental, for example Nothing To Do With Anything uses no punctuation or paragraphing, Unsubstance resembles a stream of conscious, while Fragments of a Signal could be classed as speculative fiction. And then there are...
This book is a wonderful example of how a single image can spark a large and powerful story. Toni Jordan has imagined the lives and trajectories of nine characters over eighty years, all from the beginning point of a randomly found photograph (shown on the cover).
Ideas of what make a story a novella vary. Most definitions centre on length: 17,000-40,000 words, some as low as 10,000. Another characteristic that can distinguish a novella from a short story is added complexity (there is room to develop subplots).